Making the Switch
15 years ago
Lynn: 9-year-old Julia Gillian is good at so many things that she keeps a two-sided list of her accomplishments. These include making papier-mâché masks, understanding her dog Bigfoot and being skilled at the Art of Knowing. But even a masterful 9-year-old has a fear or two. Julia’s include finishing the green book when the ending is so clearly going to be sad. The dog in the story is only a year older than Bigfoot and Julia doesn’t like to even think about that. It hasn’t been a very fun summer either. Her teacher parents are taking classes and study all day, the claw machine is still unmastered and there have hardly been any picnics or trips to the water park. But as the summer wanes, Julia discovers that everyone has fears and learns to understand what her neighbor Enzo means when she says, “the only way out is through.”
Lynn: An assassin, the Man Jack, murders three members of a sleeping family as the true target, a little boy, climbs out of his crib and toddles up the hill to the graveyard eluding the killer. A ghostly couple shields the child and then decides to raise him, naming him Nobody Owens because he looks like nobody but himself. It takes a graveyard to raise this child and Bod is the adored pet of the spectral residents whose living years spanned the centuries. As Bod begins to push at the restrictions of childhood, he once again comes to the attention of the mysterious group who seek his death.
Lynn: Turning thirteen is a big milestone for most people but in the Beaumont family it is truly life changing. Thirteen is when the Beaumont savvy appears. Each person’s savvy is different. There is Fish who causes hurricanes, Rocket who generates electricity and Great Aunt Jules who time-travels every time she sneezes. Mississippi (Mibs) thinks she knows what her savvy is and it couldn’t be more important. Mibs’ father lies in a coma in the hospital after a car accident and Mibs is sure her savvy is to wake things up. Somehow she has to travel the ninety miles to Salina to help Poppa. It seems like such a good idea to sneak aboard the pink bible bus but nothing is ever simple when it comes to the Beaumonts!
Cindy: I made my first trek through Central Park just six months prior to the Gates installation and longed to return to see the saffron banners waving against the black trees and white snow. What a treat that must have been for the local folks to see their park transformed for a few short weeks. For those of us who missed it in person, this fabulous book by art biographers Greenberg and Jordan will more than do. The husband and wife team of Christo and Jeanne-Claude (born on the same day and year in separate countries) are the epitome of perseverance, working decades to get the necessary permission for their imaginative and original public art created on a truly grand scale. The book design is perfect, many photographs letting the art speak for itself as its creators do, and a fold-out spread helps to show the magnitude of the installations. As much as I would love a piece of that saffron fabric, I love the care the artists put into preserving the environments they are creating in, and recycling their materials as opposed to crass commericialization. Always controversial artists, you can put me in the fan column. I may have missed the Gates, but I'm sorely tempted to plan a family vacation to raft the Arkansas in Colorado in 2012 under the silvery fabric panels. Want to join me?